Every fibre has its own personality. Here's what we work with and what each one does best.
Choosing yarn starts with choosing fibre. Different wools suit different projects. A chunky outdoor cardigan needs something different from a lace-weight shawl. This guide covers the main fibres I spin with, where they come from, and what they're good for.
Our local breed. The staple length is exceptional, often 15cm or more, and the locks have a natural lustre you don't find in shorter-stapled breeds. It spins into yarn with gorgeous drape and a subtle sheen. The fibre comes from a farm about eight miles from the workshop.
Best for: Scarves, wraps, woven projects, anything where drape matters.
Fine, soft, and takes dye beautifully. BFL is my go-to for colourwork yarns because the colours come out clear and vibrant. The micron count is low enough for next-to-skin wear but the fibre has enough tooth to hold twist well.
Best for: Colourwork, garments, socks, anything that needs good stitch definition.
The softest fibre I regularly spin. Merino has a very fine crimp and low micron count, so it's comfortable against even sensitive skin. On its own it can pill, so I often blend it with silk or bamboo for added strength and sheen.
Best for: Baby garments, cowls, anything next-to-skin, luxury projects.
A genuine all-rounder. Corriedale has enough softness for comfortable wear but enough body for structured projects. It's springy, hardwearing, and takes texture well. My Wold Green yarn is pure Corriedale.
Best for: Outerwear, accessories, hats, bags, anything that needs to hold its shape.
Incredibly warm without weight. Alpaca fibre has hollow cores that trap heat, so even thin yarn feels warm. I use it sparingly in blends because it lacks elasticity on its own. Mixed with wool it gives a gorgeous halo effect.
Best for: Winter accessories, blankets, blended with wool for warmth.
I add silk to blends for strength and sheen. It doesn't felt, it's incredibly strong, and it catches the light in a way no plant or animal fibre can match. Usually 20-30% of a blend, combined with merino or BFL.
Best for: Luxury blends, shawls, special occasion projects.
I buy British wherever possible. The Lincoln Longwool comes from a farm I can see from the top of our lane. The BFL comes from a flock in the Yorkshire Dales via a small mill in Bradford. Corriedale I source from a spinner's co-op in the Midlands.
Merino and silk are harder to get locally, so those come from ethical suppliers I've worked with for years. I know where the fibre comes from and I'm comfortable with how the animals are kept.